Called the "cyberpunk ERASERHEAD," Shinya Tsukamoto’s underground classic was virtually absent from theaters for decades as all physical releases were out of print. Now available in a brand new restoration, the film is an unhinged metaphor of humankind’s ongoing battle with technology; literally, as a man mutates into a walking, clanking machine that terrorizes himself and everyone around him.

Regarded as the masterwork of Japan's Golden Age of Film, UGETSU is credited with simultaneously helping to popularize Japanese cinema in the West and influencing later Japanese film.

The first in a four-film Female Prisoner Scorpion cycle charts the vengeance of Nami Matsushima—a gullible, unjustly imprisoned woman who must find a way to escape and exact revenge upon the man who betrayed her, and who becomes an avatar of survival and an unlikely symbol of female resistance in a male-dominated world.

From the creators of GHOST IN THE SHELL (1995), this hand-drawn animated feature took seven years to complete, from the painstakingly rendered serenity of the island’s Shinto shrines to the climactic finale featuring thousands of squirming, morphing ghosts and spirits. Lauded by critics as something both children and adults will fall in love with after seeing.

Directed by Kenji Misumi (LONE WOLF AND CUB), the first Zatoichi film was so popular that its sequel went into production the very same year. It now stands as one of Japan's longest-running film series with total of 26 films made between 1962 and 1989.

In 1959, Yasujiro Ozu—widely regarded as one of the world's greatest and most influential filmmakers—remade his 1934 silent classic, A STORY OF FLOATING WEEDS, in color with the celebrated cinematographer Kazuo Miyagawa (UGETSU).

Director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late 1960s: a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara.

On the margins of Tokyo, a dysfunctional band of outsiders is united by fierce loyalty and a penchant for petty theft. Winner of the 2018 Palme d'Or, selected as the Japanese entry for the Best Foreign Language Film at the 91st Academy Awards, and widely considered one of the best films of the 21st century.

The first film adaptation of any Daisuke Igarashi manga series (winner of the American Library Association's 2010 Great Graphic Novels for Teens)

The tale of an enigmatic band of ramen ronin who guide the widow of a noodle shop owner on her quest for the perfect recipe, the films serves up a savory broth of culinary adventure seasoned with offbeat comedy sketches and the erotic exploits of a gastronome gangster.