Melange: A Queer and P.O.C. Variety Show
Thicc. Voluptuous. Juicy. However you wanna describe this cast, these $EXY BABES are about to show you what $en$uality, $3xuality, playfulness, & and being a big-bodied powerhouse is all about!!
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I’m Gonna Git You Sucka
Written, directed by and starring Keenen Ivory Wayans in his feature debut, this film parodies the blaxploitation genre (Sweet Sweetback's Baadasssss Song, Foxy Brown, The Spook Who Sat by the Door, Top of the Heap, et al.) with an outstanding cast of well-known celebrities and up-and-coming actors for the time
THE LITTLE GIRL OF HANOI & Vietnam Animation Studio (Church of Film)
A harrowing and remarkable drama, LITTLE GIRL OF HANOI was miraculously shot during the final year of the US invasion of Vietnam. Praised for its exquisite visual style and emotional rawness, it's a scathing indictment of the devastation wrought by the war.
Blessings Movie Night Presents: Neptune Frost
Portland visual artist Eatcho and musician Roman Norfleet join forces for this month’s Blessings Movie Night with an original live score to NEPTUNE FROST (2021).
The Ricky Winters Show
Portland's #1 Tabloid Talk Show is back for its one year anniversary show! Ricky Winters (James Hartenfeld) dives into dramatic and painful topics with outrageous guests in this hilarious Jerry Springer-ish tabloid talk show that has sold out at venues everywhere.
Mamma Mia!
Presented by the Portland Lesbian Choir to help you join in at all your favorite parts!
Mamma Mia!
Presented by the Portland Lesbian Choir to help you join in at all your favorite parts!
The Rocky Horror Picture Show with the Clinton Street Cabaret
Tonight's screening features the cast of the Clinton Street Cabaret! Come see the famous, rambunctious show that has played every single week at the Clinton Street Theater in Portland, Oregon.
Eve’s Bayou
A Southern Gothic masterpiece. Written and directed by Kasi Lemmons in her feature debut. Listed as the Best Film of 1997 by Roger Ebert and called "one of the greatest writer-director debuts in American cinematic history" by critic Angelica Jade Bastién.