Today at The Clinton: Friday, Sep 24

Cult Classic Fridays presents IRMA VEP

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Weird, unconventional or truly transgressive, Cult Films push boundaries of decency and sometimes break cultural taboos. They can be soooooooo bad that they're good, and f*cking fun to watch, especially when you're throwing back a cold one with friends.

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Cult Classic Fridays presents IRMA VEP

Showtimes

irma-vep-maggie-cheung

Irma Vep is a magnificently varied film, integrating film footage, press interviews, gossip, and film's hurry-up-and-wait production schedule. Cheung in particular does a masterful job playing herself, at once transparent and opaque.

Alyx Vesey, Bitch Media

An exhilarating film that happens to be about moviemaking itself, Olivier Assayas's sinuous, kinetic, waggish Irma Vep is an oblique, supremely enjoyable course in movie history.

Melissa Anderson, 4Columns

Though Irma Vep may be best appreciated by movieheads, it's hardly just an homage. By its shrieking avant-garde climax, it's more like a statement on how history, even filmed history, can fragment and dissolve into oblivion.

Michael Atkinson, Spin

irma-vep-movie poster
IRMA VEP
Director: 
Olivier Assayas
Country: 
France
Year: 
1997
Runtime: 
99 minutes

Washed-up French director René Vidal (Jean-Pierre Léaud) hopes to turn his career around with an update of "Les Vampires," a silent-era masterpiece about about a notorious ring of thieves, led by crafty female crook Irma Vep. René brings in Chinese star Maggie Cheung (Maggie Cheung) to play Vep, but unexpected roadblocks arise on the set. Maggie doesn't know French, she's pursued by obsessive lesbian crew member Zoe (Nathalie Richard) and her character's criminal ways begin to rub off on her.

Special Admission

$6; includes a $1 service.

ADVANCE TICKETS AVAILABLE.