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X-WR-CALDESC:Events for Clinton Street Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220718T190000
DTEND;TZID=America/Los_Angeles:20220718T190000
DTSTAMP:20260705T074338
CREATED:20220704T001857Z
LAST-MODIFIED:20220704T005821Z
UID:10000515-1658170800-1658170800@cstpdx.com
SUMMARY:Smooth Talk
DESCRIPTION:Part of our July Clinton St. Resistance Series with proceeds benefiting Sisters of the Road \n\n\n\n\nSuspended between carefree youth and the harsh realities of the adult world\, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost.  \n\n\n\nBased on Joyce Carol Oates’ celebrated short story “Where Are You Going\, Where Have You Been?” and produced for PBS’ American Playhouse\, the narrative debut from director Joyce Chopra features a revelatory breakout performance from Laura Dern as Connie\, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips\, mall hangouts\, and innocent flirtations is shattered by an encounter with a mysterious stranger (a memorably menacing Treat Williams).  \n\n\n\nWinner of the Grand Jury Prize at Sundance\, Smooth Talk captures the thrill and terror of adolescent sexual exploration as it transforms the ingredients of a standard coming of age portrait into something altogether more troubling and profound. \n\n\n\nDirector: Joyce ChopraCountry: USAYear: 1985Runtime: 91 minutes\n\n\n\n\nThe film’s power is enormous throughout; spare means (long-held closeups\, a four-minute take of sisterly confessions) evoke a drama that seems to have been filmed holding its breath. Richard Brody\, New Yorker\n\n\n\nThe movie is almost uncanny in its self-assurance\, in the way it knows that the first hour\, where ‘nothing’ happens\, is necessary if the payoff is to be tragic\, instead of merely sensational. Roger Ebert\, Chicago Sun-Times\n\n\n\nThroughout\, Joyce Chopra patiently and shrewdly observes the contradictions of human behavior that Laura Dern brilliantly conveys. Jake Cole\, Slant Magazine\n\n\n\nA gorgeous\, thrilling portrayal of careless childhood dissolving in the summer sun\, Smooth Talk is a landmark coming-of-age film and signals the arrival of one of cinema’s favorite stars.  Lee Jutton\, Film Inquiry
URL:https://cstpdx.com/event/smooth-talk/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/Smooth-Talk-poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220715T190000
DTEND;TZID=America/Los_Angeles:20220715T190000
DTSTAMP:20260705T074338
CREATED:20220703T213938Z
LAST-MODIFIED:20220703T213939Z
UID:10000513-1657911600-1657911600@cstpdx.com
SUMMARY:Friday
DESCRIPTION:It’s Friday and Craig Jones (Ice Cube) has just gotten fired for stealing cardboard boxes. To make matters worse\, rent is due\, he hates his overbearing girlfriend\, Joi (Paula Jai Parker)\, and his best friend\, Smokey (Chris Tucker)\, owes the local drug dealer money — and that’s all before lunch. As the hours drag on\, Jones and Smokey experience the gamut of urban life\, complete with crackheads\, shoot-outs and overly sexual pastors\, concentrated into one single\, unbelievable Friday. \n\n\n\nWhile the character-driven script has a weakness for toilet humor (Mel Brooks would be proud)\, its inhabitants are given some oddball quirks and tics that keep things percolating when the plot development runs a little thin. Michael Rechtshaffen\, Hollywood Reporter\n\n\n\nDirector: F. Gary GrayCountry: USAYear: 1995Runtime: 91 minutes
URL:https://cstpdx.com/event/friday/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/Friday_V_DD_KA_TT_2000x3000_300dpi_EN_3ea13584.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220713T190000
DTEND;TZID=America/Los_Angeles:20220713T190000
DTSTAMP:20260705T074338
CREATED:20220707T053608Z
LAST-MODIFIED:20220707T053609Z
UID:10000538-1657738800-1657738800@cstpdx.com
SUMMARY:SPELL: Sweet Slaughterhouse
DESCRIPTION:Spell – Dolce mattatoio \n\n\n\nA sustained\, fragmented maelstrom of society’s fractured decline into violence\, eroticism\, and politics\, occuring in an Italian village during the parade of its patron saint. Following a host of characters as their stories collide and intersect with explosive results\, it’s a psychedelic monument to Italy’s Years of Lead!  \n\n\n\nMade in response to Pasolini’s Salo and Makavajev’s Sweet Movie\, SPELL—SWEET SLAUGHTERHOUSE (1977) is Alberto Cavallone’s Surrealismo estremo at its finest\, told in darkly compelling vignettes of madness\, betrayal\, brutality\, sex and the grotesque. \n\n\n\n(CW: a chicken is killed on a farm\, incest\, sexually violent themes) \n\n\n\nDirector: Alberto CavalloneCountry: ItalyYear: 1977Runtime: 104 minutes
URL:https://cstpdx.com/event/spell-sweet-slaughterhouse/
CATEGORIES:film
ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2022/07/Spell-poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220711T190000
DTEND;TZID=America/Los_Angeles:20220711T190000
DTSTAMP:20260705T074338
CREATED:20220703T205108Z
LAST-MODIFIED:20220704T003359Z
UID:10000512-1657566000-1657566000@cstpdx.com
SUMMARY:Earth Girls Are Easy
DESCRIPTION:In this musical comedy\, Valerie (Geena Davis) is dealing with her philandering fiancé\, Ted (Charles Rocket)\, when she finds that a trio of aliens (Jeff Goldblum\, Jim Carrey\, Damon Wayans) have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend’s salon\, the women discover three handsome men underneath. After absorbing the native culture via television\, the spacemen are ready to hit the dating scene in 1980s Los Angeles. \n\n\n\nA lighthearted and goofy musical comedy about a love affair between an extraterrestrial and a manicurist Roger Ebert\, Chicago Sun-Times\n\n\n\nIt is a joyfully chaotic and wildly uneven work that shows Mr. Temple’s roots in music videos. Caryn James\, New York Times\n\n\n\nEarth Girls Are Easy manages to both subvert and give in to the conventions of its time\, creating a work so singularly absurd and campy\, you can’t not enjoy it. Saffron Maeve\, Film Inquiry\n\n\n\nDirector: Julien TempleCountry: USAYear: 1988Runtime: 100 minutes
URL:https://cstpdx.com/event/earth-girls-are-easy/
CATEGORIES:Clinton Street Resistance Series
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/earthgirls-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220709T190000
DTEND;TZID=America/Los_Angeles:20220709T190000
DTSTAMP:20260705T074338
CREATED:20220703T202744Z
LAST-MODIFIED:20220703T202744Z
UID:10000511-1657393200-1657393200@cstpdx.com
SUMMARY:Night of the Comet
DESCRIPTION:A huge comet passes near the earth\, vaporising most of the planet’s population. Only a few teenagers survive after spending the night inside a steel-lined room and avoiding the effects of the comet. When they emerge the next day\, they discover that almost everyone has been turned to dust and a few partially-exposed survivors are now hideous\, blood-thirsty zombies. \n\n\n\nNight of the Comet is not really symbolic of anything quite so real world perilous\, but it serves as a rare example of smart\, resourceful and snarky butt-kicking women in film of that decade Jennifer K. Stuller\, Bitch Media\n\n\n\nA good-natured\, end-of- the-world B-movie\, written and directed by Thom Eberhardt\, a new film maker whose sense of humor augments rather than upstages the mechanics of the melodrama Vincent Canby\, The New York Times
URL:https://cstpdx.com/event/night-of-the-comet/
CATEGORIES:film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220708T190000
DTEND;TZID=America/Los_Angeles:20220708T190000
DTSTAMP:20260705T074338
CREATED:20220702T213956Z
LAST-MODIFIED:20220702T213957Z
UID:10000510-1657306800-1657306800@cstpdx.com
SUMMARY:Double Feature: Surf II & Surf Nazis Must Die
DESCRIPTION:A summer double feature of questionable taste! See two 80’s surf cult classics for one low price. \n\n\n\n\nSurf II \n\n\n\n7:00 PM \n\n\n\nSurfing is a way of life for high school students Chuck and Bob\, who are training for the big surf competition. However\, their fathers\, sales reps for a new soda named Buzzz Cola\, disapprove of surfing as a whole. Everything is going swell until the area’s surfing population starts getting kidnapped by Menlo\, a vengeful nerd turned mad scientist\, with a particular vengeance aimed at surfers. Using Buzzz Cola\, Menlo begins turning surfers into brain dead zombies. Can Chuck and Bob thwart his evil master plan in time to save the surfing competition? A completely unhinged comedy that manages to integrate slapstick humor\, surreal sight gags\, and horror and sci-fi elements\, SURF II is an outrageous blast of 1980s excess—newly restored from long lost original 35mm elements! \n\n\n\n“We set out to make the most brain-dead movie of all time. In that regard\, I believe we succeeded.” –Surf II writer-director Randall Badat \n\n\n\nDirector: Randall BadatCountry: USAYear: 1983Runtime: 100 minutes\n\n\n\n\n\nSurf Nazis Must Die \n\n\n\n9:00 PM \n\n\n\nFrom the twisted minds at Troma Entertainment! Welcome to California\, where the beaches have become battlefields and the waves are a war zone! In the near future\, a major earthquake has devastated the California coastline. As the survivors attempt to put their lives back together\, a new\, more terrifying threat erupts. The once beautiful beaches are now ruled by ruthless gangs . . . and the gangs are ruled by the dreaded Surf Nazis! Only one person is powerful enough to stop them—Mama Washington on a rampage of revenge! \n\n\n\n“A sort of Clockwork Orange meets Mad Max on the beach\, pic hasn’t one redeeming feature.” -Variety \n\n\n\nDirector: Peter GeorgeCountry: USAYear: 1987Runtime: 83 minutes
URL:https://cstpdx.com/event/double-surf-summer-feature/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/surfiiposter-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220707T190000
DTEND;TZID=America/Los_Angeles:20220707T190000
DTSTAMP:20260705T074338
CREATED:20220702T204326Z
LAST-MODIFIED:20220702T204326Z
UID:10000509-1657220400-1657220400@cstpdx.com
SUMMARY:Esperanto
DESCRIPTION:Mixing the rock stars of mountain biking with a cast of unknown and up-and-coming heroes\, TGR’s latest film Esperanto explores how we share our dreams through a universal two-wheeled language no matter what our native tongue may be. The sacred ritual of the ride might sound different all across the world – whether it’s a full-face getting pulled down to drop into a big jump line or wheeling a beat-up bike out of a mud hut to pedal to school – but it’s a universal process no matter what language we speak. \n\n\n\nAs we view this visual tapestry featuring next-level riding in unusual locations all across the globe\, we hear a voice speaking a language we’ve never heard: \n\n\n\nThere are more than 7\,000 languages spoken on Earth. In 1887 a Polish-Jewish doctor named L.L. Zamenhof created a new one\, a universal second language based on a combination of existing widely-spoken European languages. Its goal is to help bring people together from different ideologies\, beliefs\, and nations and ultimately to help end war. The language was called Esperanto. Translated into English it means ‘one who hopes.’ Today\, Esperanto might remain elusive\, but the dream of a shared language Spoken Worldwide still flourishes. You just have to know where to look for it. \n\n\n\nDirector: Jeremy GrantCountry: USAYear: 2022Runtime: 60 minutes\n\n\n\n\nPortland premiere from Teton Gravity Research made possible by Warpaint Magazine!
URL:https://cstpdx.com/event/esperanto/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/esperanto-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220706T200000
DTEND;TZID=America/Los_Angeles:20220706T200000
DTSTAMP:20260705T074338
CREATED:20220702T202855Z
LAST-MODIFIED:20220706T192032Z
UID:10000508-1657137600-1657137600@cstpdx.com
SUMMARY:Flower Storms - Animation in Iran
DESCRIPTION:A curated program of Iranian animation\, before and after the revolution! FLOWER STORMS: Animation in Iran takes us through the wild experimental works of the artists at Iran’s Institute for Intellectual Development of Children & Young Adults\, up until present times! Based on folk tales\, dreams\, modern art and political nightmares\, this beautiful set provides an eye-popping sample of the Iranian avant-garde through the last 50 years. Including the work of animation geniuses Noureddin Zarrinkelk and Ali Akbar Sadeghi\, with classics like Amir Hamzeh & the Dancing Zebra (1977) and the Flower Storm (1972)\, and much\, much more!
URL:https://cstpdx.com/event/flower-storms-animation-in-iran/
CATEGORIES:film
ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2022/07/flowerstorms-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220705T190000
DTEND;TZID=America/Los_Angeles:20220705T190000
DTSTAMP:20260705T074338
CREATED:20220702T201657Z
LAST-MODIFIED:20220702T201658Z
UID:10000507-1657047600-1657047600@cstpdx.com
SUMMARY:Psychotronic Afterschool Special
DESCRIPTION:Curated and hosted by Portland 16mm film archivist/programmer Greg Hamilton.  \n\n\n\nSchool’s out for Summer and the PSYCHOTRONIC AFTERSCHOOL SPECIAL is back with a visual explosion of films about feeding your head. Made up of mind-bending educational films\, animations and commercials from the 1970s and 80s\, this media mash-up is packed with plenty of laughs and cringes. Whether it’s learning where your food comes from or avoiding the perils of computer hacking\, this program has it all.  Don’t miss this one-of-a-kind media massacre projected in 16mm!  \n\n\n\nFeaturing appearances by Morris the Moose\, James Earl Jones\, and the inconceivable Wallace Shawn. \n\n\n\nFeaturing three special films: \n\n\n\nMORRIS GOES TO SCHOOL – Go to class with a moose and experience the most bizarre stop-motion animations ever made. \n\n\n\nTILT – An amazing psychedelic animation that addresses industrialism\, poverty\, neo-liberalism and miltiarism.  \n\n\n\nHOW TO BECOME A PERFECT PERSON IN THREE DAYS – Afterschool special about Milo\, who never seems to get it right until he learns the art of Perfectology from the intrepid Dr. Silverfish (Wallace Shawn).   \n\n\n\nRuntime – 104 minutes
URL:https://cstpdx.com/event/psychotronic-afterschool-special/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/07/IMG_3997-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220603T200000
DTEND;TZID=America/Los_Angeles:20220603T200000
DTSTAMP:20260705T074338
CREATED:20220426T011037Z
LAST-MODIFIED:20220426T011653Z
UID:10000498-1654286400-1654286400@cstpdx.com
SUMMARY:Ben Roy & Adam Cayton-Holland
DESCRIPTION:Ben Roy has been taking comedy audiences by storm since 2004\, often compared to Lewis Black or Bill Hicks due to his passionate\, ranting approach. Roy has been featured on HBO’s Funny as Hell series\, as well as on the Comedy Central shows Adam DeVine’s House Party\, Corporate\, @midnight\, and This Is Not Happening. Ben has released four stand-up comedy albums and was listed as one of Variety’s Top 10 Comics to Watch. Along with fellow Denver Comedians Adam Cayton-Holland and Andrew Orvedahl (who collectively perform as The Grawlix)\, Ben created\, wrote\, and starred in TruTV’s original comedy series Those Who Can’t\, which now has all three seasons available for streaming on HBOMax. In addition to stand-up comedy\, acting\, and writing\, Roy is a prolific musician and the current lead singer of pop punk outfit SPELLS. \n\n\n\nAdam Cayton-Holland is a national touring comedian who co-created\, wrote and starred in Those Who Can’t. He has appeared on Conan\, The Late Late Show with James Corden and Comedy Central Presents. His album Adam Cayton-Holland Performs His Signature Bits” was voted one of Vulture’s Top Ten Albums of 2018. Adam’s writing has appeared in McSweeney’s\, The New York Times\, Esquire and The Atlantic. His first book\, Tragedy Plus Time\, was called\, “Inspiring\, tragic\, and at times heart-rendingly funny\,” by People magazine\, and is available everywhere. \n\n\n\n\n\n\n\n\n\nGetting Too High with Your Dad – Adam Cayton-Holland\n\n\n\n\n\nBen Roy
URL:https://cstpdx.com/event/ben-roy-adam-cayton-holland/
CATEGORIES:comedy
ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2022/04/Ben-Roy-Adam-Cayton-Holland.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220512T190000
DTEND;TZID=America/Los_Angeles:20220512T190000
DTSTAMP:20260705T074338
CREATED:20220505T033119Z
LAST-MODIFIED:20220505T033119Z
UID:10000506-1652382000-1652382000@cstpdx.com
SUMMARY:Alice (1988)
DESCRIPTION:When Alice follows the White Rabbit into Wonderland\, so begins this dream expedition into the astonishing landscape of childhood\, through many dangerous adventures\, and ultimately to Alice’s trial before the King and Queen of Hearts. Czech animator Jan Svankmajer has created a masterpiece of cinema\, a strikingly original interpretation of Lewis Carroll’s classic tale. Svankmajer’s Alice remains true to the absurdity of Carroll’s original\, but bears the stamp of his own distinctive style and obsessions. Combining techniques of animation and live action\, he gives a new and fascinating dimension to the classic tale of childhood fantasies.
URL:https://cstpdx.com/event/alice-1988/
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220508T000000
DTEND;TZID=America/Los_Angeles:20220508T000000
DTSTAMP:20260705T074338
CREATED:20220504T043756Z
LAST-MODIFIED:20220909T214727Z
UID:10000505-1651968000-1651968000@cstpdx.com
SUMMARY:The Rocky Horror Picture Show with the Clinton Street Cabaret
DESCRIPTION:Doors open at 11:00 PM for the Midnight show. \n\n\n\nJoin our weekly screenings of The Rocky Horror Picture Show that started in April of 1978! On the first\, third\, and fifth Saturday of the month\, our special screenings feature a live shadow cast with the Clinton Street Cabaret. \n\n\n\nStarring Tim Curry\, Susan Sarandon\, and Barry Bostwick\, The Rocky Horror Picture Show (1975) continues to titillate and delight audiences all over the world. Showing every week on a 35 mm print! \n\n\n\nDirector: Jim SharmanCountry: USAYear: 1975Runtime: 100 minutes
URL:https://cstpdx.com/event/the-rocky-horror-picture-show-with-the-clinton-street-cabaret/
ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/05/rocky-featured.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220507T190000
DTEND;TZID=America/Los_Angeles:20220507T190000
DTSTAMP:20260705T074338
CREATED:20220504T042704Z
LAST-MODIFIED:20220504T044759Z
UID:10000504-1651950000-1651950000@cstpdx.com
SUMMARY:The Wicker Man: Final Cut
DESCRIPTION:After receiving an anonymous letter about a missing 12-year-old girl\, devoutly Christian Police Sergeant Neil Howie (Edward Woodward) travels by seaplane to a remote Scottish island to investigate. But the islanders welcome neither his badge nor religious devotion\, for Lord Summerisle (Christopher Lee) and his devoted followers worship only the pagan gods of old – and those gods demand a sacrifice. Howie fears for the missing girl’s life and follows every possible lead to find her—despite the islanders’ interference—before she becomes a human sacrificial lamb. \n\n\n\nDirector: Robin HardyCountry: United KingdomYear: 1973Runtime: 94 minutes\n\n\n\n\n“Anthony Shaffer penned the screenplay which\, for sheer imagination and near-terror\, has seldom been equaled.”  Variety\n\n\n\n“You can’t help smiling at the audacity of it all and shivering a little at the feelbad ending.” Derek Malcolm\, London Evening Standard
URL:https://cstpdx.com/event/the-wicker-man-final-cut/
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/05/wicker-man-featured.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220506T220000
DTEND;TZID=America/Los_Angeles:20220506T230000
DTSTAMP:20260705T074338
CREATED:20220503T054841Z
LAST-MODIFIED:20220909T214035Z
UID:10000503-1651874400-1651878000@cstpdx.com
SUMMARY:Season of the Witch
DESCRIPTION:Tickets	\n\n\n\n\n\nGeorge Romero’s film about feminism in its Women’s Lib phase. It’s loaded with references to the occult\, but owes as much to Betty Friedan as Anton LaVey.Jan White\, an East Coast soap actress and commercial model sought out by Romero for the lead role\, plays an upper-middle-class homemaker who’s defined almost entirely as a wife and mother\, but those definitions have started to lose their meaning. Her husband is often away on business\, and her college-age daughter pays no mind. Staring down middle age\, Joan starts to wonder who she is\, even though her dreams provide an answer she doesn’t want to hear. \n\n\n\nRestoration courtesy of Arrow Films and the American Genre Film Archive.
URL:https://cstpdx.com/event/season-of-the-witch/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/05/sotw.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220506T190000
DTEND;TZID=America/Los_Angeles:20220506T190000
DTSTAMP:20260705T074338
CREATED:20220503T054309Z
LAST-MODIFIED:20220704T002608Z
UID:10000502-1651863600-1651863600@cstpdx.com
SUMMARY:Black Sunday
DESCRIPTION:In one of the most auspicious directorial debuts in movie history\, Mario Bava bridged the gap between the gothic horror picture and the European art film. Made in 1960 and now considered a cult classic\, it continues to reverberate through the cinema\, inspiring and influencing new generations of filmmakers. \n\n\n\nIn an absolutely mesmerizing performance\, Barbara Steele is Asa Vajda\, a beautiful woman tortured and executed as a witch—but not before pronouncing a curse upon those who have condemned her\, a curse that is fulfilled some 200 years later.
URL:https://cstpdx.com/event/black-sunday/
CATEGORIES:film,Pagan May
ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2022/05/bs.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220505T190000
DTEND;TZID=America/Los_Angeles:20220505T190000
DTSTAMP:20260705T074338
CREATED:20220503T041548Z
LAST-MODIFIED:20220503T042406Z
UID:10000501-1651777200-1651777200@cstpdx.com
SUMMARY:Black Moon
DESCRIPTION:Louis Malle meets Lewis Carroll in this bizarre and bewitching trip down the rabbit hole. After skirting the horrors of a mysterious war being waged in the countryside\, beautiful young Lily (Cathryn Harrison) takes refuge in a remote farmhouse\, where she becomes embroiled in the surreal domestic life of an extremely unconventional family. Evocatively shot by cinematographer Sven Nykvist\, Black Moon is a Freudian tale of adolescent sexuality set in a post-apocalyptic world of shifting identities and talking animals. It is one of Malle’s most experimental films and a cinematic daydream like no other. \n\n\n\nDirector: Louis Malle \n\n\n\nCountry: France \n\n\n\nYear: 1975 \n\n\n\nRuntime: 100 minutes
URL:https://cstpdx.com/event/black-moon/
CATEGORIES:Pagan May
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/05/current_blackmoonfg_medium.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220504T200000
DTEND;TZID=America/Los_Angeles:20220504T200000
DTSTAMP:20260705T074338
CREATED:20220503T035948Z
LAST-MODIFIED:20220909T214105Z
UID:10000500-1651694400-1651694400@cstpdx.com
SUMMARY:Church of Film Presents - The Dawn of Color
DESCRIPTION:A treasure trove of short film work from the beginning of cinema to the mid-20th Century\, revealing filmmakers trying to break free from the silver screen into glorious color! This set will feature beautiful hand stenciled coloration\, two-tone Technicolor processing\, and other means and methods of bringing images into living color! Films will include Pathecolor fairy tale films\, scandalous pre-code dance skits like THE DEVIL’S CABARET\, and other candy-colored adventures! Get your eyes drunk!
URL:https://cstpdx.com/event/the-dawn-of-color/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/05/church-of-film-may-4.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220503T190000
DTEND;TZID=America/Los_Angeles:20220503T190000
DTSTAMP:20260705T074338
CREATED:20220503T025336Z
LAST-MODIFIED:20220503T035646Z
UID:10000499-1651604400-1651604400@cstpdx.com
SUMMARY:The Wobblies
DESCRIPTION:Founded in Chicago in 1905\, the Industrial Workers of the World (IWW) took to organizing unskilled workers into one big union and changed the course of American history. This compelling documentary of the IWW (or “The Wobblies” as they were known) tells the story of workers in factories\, sawmills\, wheat fields\, forests\, mines and on the docks as they organize and demand better wages\, healthcare\, overtime pay and safer working conditions. In some respects\, men and women\, Black and white\, skilled and unskilled workers joining a union and speaking their minds seems so long ago\, but in other ways\, the film mirrors today’s headlines\, depicting a nation torn by corporate greed. \n\n\n\nIconic. Innovative. Eerily echoing current times. Replete with gorgeous archival footage\, the film pays tribute to American workers who took the ideals of equality and free speech seriously enough to put their lives on the line for them. A joyous chronicle.” -New York Women in Film & Television\n\n\n\nFilmmakers Deborah Shaffer and Stewart Bird weave history\, archival film footage\, interviews with former workers (now in their 80s and 90s)\, cartoons\, original art\, and classic Wobbly songs (many written by Joe Hill) to pay tribute to the legacy of these rebels who paved the way and risked their lives for the many of the rights that we still have today. \n\n\n\n“Conveys the conviction and strength of these union pioneers with straightforward grace.” -Michael Blowen\, The Boston Globe\n\n\n\n\n\n\n\n\n\n“Solidarity! All for One and One for All!” \n\n\n\n\nDirector: Deborah Shaffer and Stewart Bird.  \n\n\n\nCountry: USA \n\n\n\nYear: 1979 \n\n\n\nRuntime: 89 minutes \n\n\n\n\nRestored by the Museum of Modern Art and recently inducted into the National Film Registry of the Library of Congress.
URL:https://cstpdx.com/event/the-wobblies-2/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/05/WOBS.street1.final_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220503T190000
DTEND;TZID=America/Los_Angeles:20220503T190000
DTSTAMP:20260705T074338
CREATED:20220426T010441Z
LAST-MODIFIED:20220503T035407Z
UID:10000497-1651604400-1651604400@cstpdx.com
SUMMARY:I Married a Witch
DESCRIPTION:Blissfully hilarious and romantic\, featuring great chemistry between Veronica Lake and Fredric March. This fun romp from French master Rene Clair gives its seasoned leads a chance to break away from stereotypically serious roles and prove their comedic prowess. \n\n\n\nLake stars as an ancient Salem witch once burned at the stake\, who returns to haunt descendants of the Puritans who let her smolder—namely aspiring politician March. Lake concocts a love potion\, but things get complicated when said potion works on Lake instead and she falls for March! \n\n\n\nRestoration courtesy of Shout! Factory and the American Genre Film Archive.
URL:https://cstpdx.com/event/i-married-a-witch/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/04/vf-witch.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220502T190000
DTEND;TZID=America/Los_Angeles:20220502T190000
DTSTAMP:20260705T074338
CREATED:20220426T005813Z
LAST-MODIFIED:20220503T033510Z
UID:10000496-1651518000-1651518000@cstpdx.com
SUMMARY:The Wobblies
DESCRIPTION:Founded in Chicago in 1905\, the Industrial Workers of the World (IWW) took to organizing unskilled workers into one big union and changed the course of American history. This compelling documentary of the IWW (or “The Wobblies” as they were known) tells the story of workers in factories\, sawmills\, wheat fields\, forests\, mines and on the docks as they organize and demand better wages\, healthcare\, overtime pay and safer working conditions. In some respects\, men and women\, Black and white\, skilled and unskilled workers joining a union and speaking their minds seems so long ago\, but in other ways\, the film mirrors today’s headlines\, depicting a nation torn by corporate greed. \n\n\n\nFilmmakers Deborah Shaffer and Stewart Bird weave history\, archival film footage\, interviews with former workers (now in their 80s and 90s)\, cartoons\, original art\, and classic Wobbly songs (many written by Joe Hill) to pay tribute to the legacy of these rebels who paved the way and risked their lives for the many of the rights that we still have today. \n\n\n\nRestored by the Museum of Modern Art and recently inducted into the National Film Registry of the Library of Congress. \n\n\n\n\n\n\n\n\n\n“Conveys the conviction and strength of these union pioneers with straightforward grace.” -Michael Blowen\, The Boston Globe\n\n\n\n“Iconic. Innovative. Eerily echoing current times. Replete with gorgeous archival footage\, the film pays tribute to American workers who took the ideals of equality and free speech seriously enough to put their lives on the line for them. A joyous chronicle.”  -New York Women in Film & Television
URL:https://cstpdx.com/event/the-wobblies/
CATEGORIES:film
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/04/iww.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220422T190000
DTEND;TZID=America/Los_Angeles:20220422T190000
DTSTAMP:20260705T074338
CREATED:20220420T015905Z
LAST-MODIFIED:20220420T023826Z
UID:10000494-1650654000-1650654000@cstpdx.com
SUMMARY:Every Day is Earth Day
DESCRIPTION:A screening of short films about our mother Earth\, presented by Making Earth Cool.
URL:https://cstpdx.com/event/every-day-is-earth-day/
CATEGORIES:film
ATTACH;FMTTYPE=:
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220421T190000
DTEND;TZID=America/Los_Angeles:20220421T190000
DTSTAMP:20260705T074338
CREATED:20220420T015509Z
LAST-MODIFIED:20220420T020558Z
UID:10000493-1650567600-1650567600@cstpdx.com
SUMMARY:To Which We Belong
DESCRIPTION:To Which We Belong is a documentary that highlights farmers and ranchers leaving behind conventional practices that are no longer profitable or sustainable. The goal is to draw enough carbon down from the sky and back into the soil through regenerative agricultural practices to reverse climate change and bring atmospheric carbon levels down to pre-industrial-revolution levels. The result of regenerative agriculture & ocean farming is more abundance of healthier food all without the need for antibiotics or synthetic fertilizers.
URL:https://cstpdx.com/event/to-which-we-belong/
CATEGORIES:film
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220419T190000
DTEND;TZID=America/Los_Angeles:20220419T190000
DTSTAMP:20260705T074338
CREATED:20220420T021322Z
LAST-MODIFIED:20220426T025212Z
UID:10000495-1650394800-1650394800@cstpdx.com
SUMMARY:Woman At War
DESCRIPTION:Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine\, she leads a double life as a passionate environmental activist. Known to others only by her alias “The Woman of the Mountain\,” Halla secretly wages a one-woman-war on the local aluminum industry. As her actions grow bolder\, her life changes in the blink of an eye when she’s finally granted permission to adopt a girl from the Ukraine.\n\n\n\n\nDirector: Benedikt Erlingsson\n\n\nCountry: Iceland\n\n\nYear: 2018\n\n\nRuntime: 101 minutes
URL:https://cstpdx.com/event/woman-at-war/
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/04/womanatwar.jpeg
END:VEVENT
END:VCALENDAR