BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Clinton Street Theater - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://cstpdx.com X-WR-CALDESC:Events for Clinton Street Theater REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20210314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20211107T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20230312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20231105T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20240310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20241103T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230419T190000 DTEND;TZID=America/Los_Angeles:20230419T210000 DTSTAMP:20260525T194843 CREATED:20230326T204850Z LAST-MODIFIED:20230326T204852Z UID:10000884-1681930800-1681938000@cstpdx.com SUMMARY:The Deer (Church of Film) DESCRIPTION:Ghodrat\, a wounded urban guerilla fighter\, returns to his childhood neighborhood to seek shelter from the police. He finds Seyed\, the man who taught him everything he knows about standing up for his principles and on behalf of the vulnerable–but Seyed is a shadow of his former self\, a hopeless addict and loser\, living in the slums. The unlikely reunion of the two friends forces Seyed to reflect on what has become of him\, while the police draw nearer to Ghodrat. \n\n\n\nTHE DEER is the most revolutionary film of the Iranian New Wave\, censored innumerable times and banned to this day in Iran. For the first time it has been restored to its full length and with its original ending! The ending rewritten and shot at the behest of the Pahlavi censors will also be included after the film for comparison.  \n\n\n\n\n\nhttps://www.youtube.com/watch?v=LEyGzIa_IIA URL:https://cstpdx.com/event/the-deer-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/03/the-deer.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230412T190000 DTEND;TZID=America/Los_Angeles:20230412T210000 DTSTAMP:20260525T194843 CREATED:20230326T204717Z LAST-MODIFIED:20230326T204718Z UID:10000883-1681326000-1681333200@cstpdx.com SUMMARY:The Cow (Church of Film) DESCRIPTION:In a remote area of Iran almost untouched by the centuries\, Mashdi Hassan owns the village’s only cow. He cherishes the animal as his greatest love\, the source of all of his pride and happiness. But when nearby bandits target the village and Hassan’s cow\, he is overwhelmed by sympathy for the animal—until he himself is turned into a cow. \n\n\n\nTHE COW is widely considered the masterpiece of the Iranian New Wave\, a symbolic drama so beautiful that even the Ayatollah Khomeini would not ban it\, even as its author Gholām-Hossein Sā’edi was exiled. THE COW has been meticulously restored in Iran for the first time since its 1969 release\, so come see one of the greatest monuments in film history! \n\n\n\n\n\nhttps://www.youtube.com/watch?v=-Ck4T4rAHU8 URL:https://cstpdx.com/event/the-cow-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/03/the-cow.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230405T190000 DTEND;TZID=America/Los_Angeles:20230405T210000 DTSTAMP:20260525T194843 CREATED:20230326T204218Z LAST-MODIFIED:20230326T204219Z UID:10000882-1680721200-1680728400@cstpdx.com SUMMARY:Before the Revolution: Film & Poetry in Iran (Church of Film) DESCRIPTION:A collection of poetic pieces that launched the Iranian New Wave! This program includes a set of beautiful work from the Golestan Film Workshop\, the first independent film studio in Iran. \n\n\n\nEbrahim Golestan\, together with his creative partner the poet Forugh Farrokhzad\, created masterful\, subversive film poems such as A FIRE and THE HOUSE IS BLACK–transforming a towering inferno into a modern dragon\, a monster of modernization in the former\, and weaving a poem of existential compassion out of a leper colony in the latter. \n\n\n\nAlso included will be Golestan’s THE CROWN JEWELS OF IRAN\, with some of its censored elements restored. Lastly\, the French filmmaker Albert Lamorisse’s THE LOVERS WIND\, a beloved Iranian state production that resulted in Lamorisse’s death in a helicopter crash. Subtitles for the Lovers’ Wind by Church of Film! \n\n\n\n\n\nhttps://www.youtube.com/watch?v=m0vKqsi2aGs URL:https://cstpdx.com/event/before-the-revolution-film-poetry-in-iran-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2023/03/Iran-Film-Poetry-Poster.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230331T190000 DTEND;TZID=America/Los_Angeles:20230331T210000 DTSTAMP:20260525T194843 CREATED:20230220T221904Z LAST-MODIFIED:20230220T221906Z UID:10000856-1680289200-1680296400@cstpdx.com SUMMARY:Lingua Franca DESCRIPTION:Written and directed by Isabel Sandoval\, LINGUA FRANCA follows an undocumented Filipina trans woman Olivia (Isabel Sandoval) after she has secured a job as a live-in caregiver for Olga (Lynn Cohen)\, an elderly Russian woman in Brooklyn’s Brighton Beach neighborhood. Olivia’s main priority is to secure a green card to stay in America. But when she unexpectedly becomes romantically involved with Olga’s adult grandson Alex (Eamon Farren)\, issues around identity\, civil rights and immigration threaten her very existence. \n\n\n\n \n Director: Isabel Sandoval\n Year: 2019\n Country: United States\, Philippines \n Runtime: 89 minutes URL:https://cstpdx.com/event/lingua-franca/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/lig.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230329T200000 DTEND;TZID=America/Los_Angeles:20230329T220000 DTSTAMP:20260525T194843 CREATED:20230224T041320Z LAST-MODIFIED:20230224T041321Z UID:10000866-1680120000-1680127200@cstpdx.com SUMMARY:The Savage Hunt of King Stakh (Church of Film) DESCRIPTION:In a dark\, ruinous manor on the borderlands of Belarus\, a young ethnographer arrives to study the legends of the Marsh Firs. There he finds the sordid mystery of a generational curse: spectral figures\, a Little Man and a Woman in Blue\, stalk the grounds\, while a ghost ride\, a hunt led by the long dead King Stakh\, terrorizes the gloomy country and claims many victims. \n\n\n\nTHE SAVAGE HUNT OF KING STAKH is a masterwork of atmospheric gothic ghastliness! Featuring the rarely seen full length cut of this film. URL:https://cstpdx.com/event/the-savage-hunt-of-king-stakh-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/shk.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230324T190000 DTEND;TZID=America/Los_Angeles:20230324T210000 DTSTAMP:20260525T194843 CREATED:20230217T043039Z LAST-MODIFIED:20230217T043042Z UID:10000853-1679684400-1679691600@cstpdx.com SUMMARY:Wendy and Lucy DESCRIPTION:Wendy (Michelle Williams)\, a near-penniless drifter\, is traveling to Alaska in search of work\, and her only companion is her dog\, Lucy. Already perilously close to losing everything\, Wendy hits a bigger bump in the road when her old car breaks down in Oregon and she is arrested for shoplifting dog food. When she posts bail and returns to retrieve Lucy\, she finds that the dog is gone\, prompting a frantic search for her pet. Directed by Kelly Reichardt. \n\n\n\n \n Director: Kelly Reichardt\n Year: 2008\n Country: USA\n Runtime: 80 minutes URL:https://cstpdx.com/event/wendy-and-lucy/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/wendy-and-lucy.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230322T200000 DTEND;TZID=America/Los_Angeles:20230322T220000 DTSTAMP:20260525T194843 CREATED:20230224T041138Z LAST-MODIFIED:20230224T041140Z UID:10000865-1679515200-1679522400@cstpdx.com SUMMARY:Daniah La Metisse & Other Tales of Love\, Death & the Sea (Church of Film) DESCRIPTION:A shorts and featurettes program of love\, death\, and the sea! Our headline film\, DAINAH LA DAINAH LA METISSE (1931) is an early masterpiece by French master Jean Gremillon. A strange\, stylized and alluring film\, DAINAH is a jazzy\, nightmarish poem about racial tension and sublimated colonial guilt\, set amidst the strange parties and magic-laced maskarades on an ocean liner. Also included will be Dmitri Kirsanoff’s haunting experimental narrative\, MENILMONTANT (1928)\, and Jean Epstein’s beautiful LE TEMPESTAIRE (1947). URL:https://cstpdx.com/event/daniah-la-metisse-other-tales-of-love-death-the-sea-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/daniah.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230321T190000 DTEND;TZID=America/Los_Angeles:20230321T223000 DTSTAMP:20260525T194843 CREATED:20221203T000815Z LAST-MODIFIED:20221203T000816Z UID:10000709-1679425200-1679437800@cstpdx.com SUMMARY:Jeanne Dielman\, 23\, quai du Commerce\, 1080 Bruxelles DESCRIPTION:A singular work in film history\, Chantal Akerman’s Jeanne Dielman\, 23\, quai du Commerce\, 1080 Bruxelles meticulously details\, with a sense of impending doom\, the daily routine of a middle-aged widow—whose chores include making the beds\, cooking dinner for her son\, and turning the occasional trick. In its enormous spareness\, Akerman’s film seems simple\, but it encompasses an entire world. Whether seen as an exacting character study or one of cinema’s most hypnotic and complete depictions of space and time\, Jeanne Dielman is an astonishing\, compelling movie experiment\, one that has been analyzed and argued over for decades. \n\n\n\nVoted the greatest film of all time in Sight & Sound’s once-a-decade poll. \n\n\n\n \n Director: Chantal Akerman\n Year: 1975\n Country: Belgium\, France\n Runtime: 201 minutes URL:https://cstpdx.com/event/jeanne-dielman-23-quai-du-commerce-1080-bruxelles/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/jd.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230318T190000 DTEND;TZID=America/Los_Angeles:20230318T210000 DTSTAMP:20260525T194843 CREATED:20230228T024314Z LAST-MODIFIED:20230228T024315Z UID:10000868-1679166000-1679173200@cstpdx.com SUMMARY:Working Girls DESCRIPTION:Sex work is portrayed with radical nonjudgment in Lizzie Borden’s immersive\, richly detailed look at the rhythms and rituals of society’s most stigmatized profession. \n\n\n\nInspired by the experiences of the sex workers Borden met while making her underground feminist landmark Born in Flames\, Working Girls reveals the textures of a day in the life of Molly (Louise Smith)\, a photographer working part-time in a Manhattan brothel\, as she juggles a steady stream of clients\, balances relationships with her coworkers with the demands of an ambitious madam\, and above all fights to maintain her sense of self in a business in which the line between the personal and the professional is all too easily blurred. \n\n\n\nIn viewing prostitution through the lens of labor\, Borden boldly desensationalizes the subject\, offering an empathetic\, humanizing\, often humorous depiction of women for whom this work is just another day at the office. \n\n\n\nNew 4K restoration by the Criterion Collection and UCLA Film & Television Archive in conjunction with Sundance Institute. \n\n\n\n \n Director: Lizzie Borden\n Year: 1986\n Country: USA\n Runtime: 91 minutes URL:https://cstpdx.com/event/working-girls/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/working-girls.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230315T200000 DTEND;TZID=America/Los_Angeles:20230315T220000 DTSTAMP:20260525T194843 CREATED:20230224T040920Z LAST-MODIFIED:20230224T040921Z UID:10000864-1678910400-1678917600@cstpdx.com SUMMARY:The Very Late Afternoon of the Faun (Church of Film) DESCRIPTION:A fading Lothario and bureaucrat plies his rapidly diminishing charms on Prague’s young women\, and in the process confronts the spectre of Death! A reversal of perspective on their beloved classic Daisies\, and teeming with the same frenetic energy\, THE VERY LATE AFTERNOON OF THE FAUN saw director Věra Chytilová and writer & designer Ester Krumbachová teaming up once again for an encore of savage feminist comedy! Subtitle work by Church of Film. URL:https://cstpdx.com/event/the-very-late-afternoon-of-the-faun-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/vlaotf.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230309T190000 DTEND;TZID=America/Los_Angeles:20230309T210000 DTSTAMP:20260525T194843 CREATED:20221221T051812Z LAST-MODIFIED:20221221T051814Z UID:10000726-1678388400-1678395600@cstpdx.com SUMMARY:Daisies DESCRIPTION:Maybe the New Wave’s most anarchic entry\, Věra Chytilová’s absurdist farce follows the misadventures of two brash young women. Believing the world to be “spoiled\,” they embark on a series of pranks in which nothing—food\, clothes\, men\, war—is taken seriously. Daisies is an aesthetically and politically adventurous film that’s widely considered one of the great works of feminist cinema. \n\n\n\n \n Director: Věra Chytilová\n Year: 1966\n Country: Czechoslovakia\n Runtime: 72 minutes URL:https://cstpdx.com/event/daisies/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/daisies.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230308T200000 DTEND;TZID=America/Los_Angeles:20230308T220000 DTSTAMP:20260525T194843 CREATED:20230130T231505Z LAST-MODIFIED:20230224T040459Z UID:10000831-1678305600-1678312800@cstpdx.com SUMMARY:Marguerite of the Night (Church of Film) DESCRIPTION:Tickets \n\n\n\n\n\nOld Dr. Faust attends the opera\, a performance of his famous ancestor’s pact with the Devil. Actually\, the Devil is there too\, and has a deal for the old man… here we go again! Transported to a jazzy 50s milieu\, with towering expressionist set pieces\, immaculate eye-popping design\, and Yves Montand at his most\, well\, devilish–MARGUERITE DE LA NUIT was not just an update of the familiar legend\, it was a fond farewell to the golden age of French studio films with its high-brow art design and mega snappy veneer. This young Faust is a bit of a jerk\, but his world looks great! \n\n\n\n \n Director: Claude Autant-Lara\n Year: 1955\n Country: Italy & France\n Runtime: 125 minutes URL:https://cstpdx.com/event/marguerite-of-the-night/ CATEGORIES:film ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2023/01/marguerite.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230303T190000 DTEND;TZID=America/Los_Angeles:20230303T210000 DTSTAMP:20260525T194843 CREATED:20230220T221435Z LAST-MODIFIED:20230220T221436Z UID:10000855-1677870000-1677877200@cstpdx.com SUMMARY:The Invitation (2015) DESCRIPTION:In this taut psychological thriller by Karyn Kusama (JENNIFER’S BODY)\, the tension is palpable when Will shows up to a dinner party hosted by his ex-wife Eden and new husband David (Michiel Huisman). The estranged divorcees’ tragic past haunts an equally eerie present; amid Eden’s suspicious behavior and her mysterious house guests\, Will becomes convinced that his invitation was extended with a hidden agenda. Unfolding over one dark evening in the Hollywood Hills\, the film blurs layers of mounting paranoia\, mystery\, and horror until both Will—and the audience—are unsure what threats are real or imagined. \n\n\n\n \n Director: Karyn Kusama\n Year: 2015\n Country: USA\n Runtime: 100 minutes URL:https://cstpdx.com/event/the-invitation-2015/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/invitation.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230301T200000 DTEND;TZID=America/Los_Angeles:20230301T210000 DTSTAMP:20260525T194843 CREATED:20230224T040705Z LAST-MODIFIED:20230224T040706Z UID:10000863-1677700800-1677704400@cstpdx.com SUMMARY:The Fern Flower: Ukrainian Animation (Church of Film) DESCRIPTION:From witchy Gogol adaptations\, sinisterly psychedelic Alice in Wonderland serials and cigarette ads\, to surrealist parables\, antifascist poems\, and even Stephen King (!)\, Ukrainian animators rebuilt their industry after the second world war and made Kievnauchfilm one of the most distinguished animation studios in the world. \n\n\n\nTHE FERN FLOWER: A Collection of Ukrainian Animation showcases some of the most spellbinding projects they created\, from the Soviet era into the studio’s post-Soviet reformation as Ukranimafilm. Included will be Efrem Pruzhanskiy’s Alice in Wonderland (1981)\, Evgeniy Sivokon’s Laziness (1979)\, Alla Gracheva’s The Fern Flower (1979) & Viy (1996)\, and many more! \n\n\n\n\n\nhttps://www.youtube.com/watch?v=yWoWvoSQrnI&embeds_euri=https%3A%2F%2Fmail.google.com%2F&embeds_origin=https%3A%2F%2Fmail.google.com&source_ve_path=MjM4NTE&feature=emb_title URL:https://cstpdx.com/event/the-fern-flower-ukrainian-animation-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2023/02/fern-flower.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230208T200000 DTEND;TZID=America/Los_Angeles:20230208T220000 DTSTAMP:20260525T194843 CREATED:20230130T231002Z LAST-MODIFIED:20230130T231007Z UID:10000829-1675886400-1675893600@cstpdx.com SUMMARY:The Ninth Heart (Church of Film) DESCRIPTION:A young thief falls in love with a comedienne in a traveling carnival\, but runs afoul of the law. To win his freedom\, he must use his cloak of invisibility to save the ruling Lord’s daughter from a nefarious court alchemist\, who steals the hearts of others to fuel his magical machines. Juraj Herz’s (Morgiana) THE NINTH HEART was a spectacular gothic fantasy filmed in tandem with his dark adaptation of Beauty & the Beast\, with set design by his longtime friend Jan Švankmajer! \n\n\n\n \n Director: Juraj Herz\n Year: 1979\n Country: Czechoslovakia\n Runtime: 88 minutes\n \n\n\n\n\n\nhttps://www.youtube.com/watch?v=wPlsC-ce3Ww URL:https://cstpdx.com/event/the-ninth-heart-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2023/01/The-Night-Heart-Poster.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230201T200000 DTEND;TZID=America/Los_Angeles:20230201T220000 DTSTAMP:20260525T194843 CREATED:20230130T230713Z LAST-MODIFIED:20230130T231115Z UID:10000828-1675281600-1675288800@cstpdx.com SUMMARY:The Lost Letter (Church of Film) DESCRIPTION:A valorous\, strong and simple Cossack named Vasyl is given the arduous task of traveling across the wilderness and plains\, and (literally) to Hell and back\, to deliver an important petition for help to the Russian Empress Elizabeth. Based on an adventurous comedy by Nikolai Gogol\, Boris Ivchenko’s THE LOST LETTER was one the last and most striking films of the Ukrainian Poetic Cinema movement. Banned immediately by Soviet censors\, it’s a lost masterpiece of its time! \n\n\n\n \n Director: Borys Ivchenko\n Year: 1972\n Country: Soviet Union (Ukrainian SSR)\n Runtime: 70 minutes\n \n\n\n\n\n\nhttps://www.youtube.com/watch?v=jmu9hdYRc9c URL:https://cstpdx.com/event/the-lost-letter-church-of-film/ CATEGORIES:film ATTACH;FMTTYPE=image/png:https://cstpdx.com/wp-content/uploads/2023/01/Lost-Letter-Poster.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230128T140000 DTEND;TZID=America/Los_Angeles:20230128T160000 DTSTAMP:20260525T194843 CREATED:20221213T042523Z LAST-MODIFIED:20221215T171511Z UID:10000720-1674914400-1674921600@cstpdx.com SUMMARY:Lumpia with a Vengeance DESCRIPTION:Fundraiser for the displaced Lumad People of the Philippines & Rose City Eskrima. \n\n\n\nFilipino meal with lumpia available by award winning restaurant Magna Kusina! \n\n\n\n\nCo Presented by Talilo Marfil w/The Filipino Bayanihan Center & KID HEROES PRODUCTIONS / XYLOPHONE FILMS \n\n\n\n“BIG FLIP” music video screening with Q&A from featured artists: Swiggle Mandela\, Taryn\, and JayRThaBarber. \n\n\n\nIn this crowdfunded action comedy\, the LUMPIA-armed avenger returns to Fogtown! A maid of honor to her own parents’ wedding\, teenager Rachel finds herself tangled up with a crime syndicate selling drugs masked as food. She teams up with the crime fighter to prevent a mysterious crime boss from destroying her town\, and her parents’ dream wedding. \n\n\n\nDirected by LA-based filmmaker Patricio Ginelsa and filmed primarily in the San Francisco Bay Area\, LUMPIA WITH A VENGEANCE stars former UFC champion Mark Muñoz\, April Absynth (STARZ “Blindspotting”)\, Katrina Dimaranan (Miss Philippines Universe Tourism 2021)\, Earl Baylon (Netflix “Tomb Raider”)\, Danny Trejo (“Machete”) and a talented ensemble. The film is also a re-telling of Ginelsa’s first-ever micro-budget feature titled LUMPIA\, reuniting its original stars Francis Custodio and Edward Baon. \n\n\n\n \n Director: Patricio Ginelsa\n Year: 2020\n Country: USA\n Runtime: 1 hour 52 minutes URL:https://cstpdx.com/event/lumpia-with-a-vengeance/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/lumpia-1.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230125T200000 DTEND;TZID=America/Los_Angeles:20230125T220000 DTSTAMP:20260525T194843 CREATED:20230105T065813Z LAST-MODIFIED:20230105T065814Z UID:10000805-1674676800-1674684000@cstpdx.com SUMMARY:Year 01 DESCRIPTION:Armed only with the slogan “Quit Everything\,” the people of France walk out of their jobs—and never return. Labor and money are abolished. Production stops. Consumption stops. Markets stop. Governments stop. Now people work only to fulfill their needs\, and use only what they need. Consumer goods are museum pieces\, the earth is a common land and garden\, and wage labor is a barbaric\, faintly remembered past. \n\n\n\nSomewhere\, counter-revolutionaries gather stacks of money\, now useless paper\, hoping one day it will again be charged with significance and elevate them to the status of lords. This is a report from the first year of a liberated world! \n\n\n\nJacques Doillon’s YEAR 01 (with contributing pieces by Left Bank luminaries Alain Resnais and Jean Rouch) is a serio-comic Utopia\, a series of imaginative sketches based on the philosophies behind the tumult of May ’68 and the Situationist International. Imagine a future! \n\n\n\n \n Director: Jacques Doillon\, Alain Resnais and Jean Rouch\n Year: 1973\n Country: France\n Runtime: 90 minutes\n \n\n\n\n\n\nhttps://youtu.be/qPG3VoX5ECE URL:https://cstpdx.com/event/year-01/ CATEGORIES:film ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2023/01/year-01-poster.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230120T160000 DTEND;TZID=America/Los_Angeles:20230120T180000 DTSTAMP:20260525T194843 CREATED:20230113T004935Z LAST-MODIFIED:20230113T005413Z UID:10000814-1674230400-1674237600@cstpdx.com SUMMARY:Cat Daddies DESCRIPTION:The final showing at the Clinton Street Theater! \n\n\n\nA heartwarming and tender portrait of a diverse group of men whose lives have been forever changed by their love of cats\, CAT DADDIES takes us on an inspiring journey all across the United States during the challenging early days of the COVID-19 pandemic when people desperately needed hope and companionship. \n\n\n\n \n Director: Mye Hoang\n Year: 2022\n Country: USA\n Runtime: 89 minutes URL:https://cstpdx.com/event/cat-daddies-5/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/10/cat-daddies.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230119T190000 DTEND;TZID=America/Los_Angeles:20230119T210000 DTSTAMP:20260525T194843 CREATED:20230104T045028Z LAST-MODIFIED:20230113T005554Z UID:10000799-1674154800-1674162000@cstpdx.com SUMMARY:Cat Daddies DESCRIPTION:A heartwarming and tender portrait of a diverse group of men whose lives have been forever changed by their love of cats\, CAT DADDIES takes us on an inspiring journey all across the United States during the challenging early days of the COVID-19 pandemic when people desperately needed hope and companionship. URL:https://cstpdx.com/event/cat-daddies-4/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/10/cat-daddies.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230118T200000 DTEND;TZID=America/Los_Angeles:20230118T220000 DTSTAMP:20260525T194843 CREATED:20221213T032743Z LAST-MODIFIED:20221213T032745Z UID:10000716-1674072000-1674079200@cstpdx.com SUMMARY:The Happiness of the Katakuris DESCRIPTION:From Takashi Miike\, the prolific director of genre milestones AUDITION and ICHI THE KILLER\, comes THE HAPPINESS OF THE KATAKURIS—a movie that can best be described as THE SOUND OF MUSIC meets DAWN OF THE DEAD! \n\n\n\nGuests are turning up dead at a peaceful country inn owned by the Katakuris family. To keep bad word of mouth from spreading\, the Katakuris chop up and bury the guests. But that’s only the beginning of their problems. Featuring grotesque stop motion animation\, surreal musical numbers\, and gore-lusting zombies\, THE HAPPINESS OF THE KATAKURIS stands tall as one of the most unique\, bizarre\, and satisfying horror-comedies ever made. \n\n\n\n \n Director: Takashi Miike\n Year: 2001\n Country: Japan\n Runtime: 113 minutes URL:https://cstpdx.com/event/the-happiness-of-the-katakuris/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/happiness-of-katakuris.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230111T200000 DTEND;TZID=America/Los_Angeles:20230111T220000 DTSTAMP:20260525T194843 CREATED:20221213T032230Z LAST-MODIFIED:20221213T044009Z UID:10000715-1673467200-1673474400@cstpdx.com SUMMARY:Robinson's Garden DESCRIPTION:On a drunken walk home\, bohemian drug-dealer Kumi (Kumiko Ota) discovers an abandoned building on the outskirts of Tokyo. Attracted by the vast untapped space rampant with luxuriant vegetation\, she promptly sells all of her belongings and retreats from the world. She carves an island for herself out of the sprawling concrete squat\, now free to grow cabbage and express herself in any way she pleases. \n\n\n\nThis film offers a stark contrast to the sights of financial prosperity brought forth by the films of the Economic Bubble era. Lensed by Tom DiCillo (Living in Oblivion\, Johnny Suede)\, it instead shares much in common with the No Wave films the cinematographer pioneered alongside Jim Jarmusch (Stranger Than Paradise). An unsung\, anticapitalist masterwork. \n\n\n\n \n Director: Masashi Yamamoto\n Year: 1987\n Country: Japan\n Runtime: 119 minutes URL:https://cstpdx.com/event/robinsons-garden/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/robinsons-garden.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230108T190000 DTEND;TZID=America/Los_Angeles:20230108T210000 DTSTAMP:20260525T194843 CREATED:20221108T051138Z LAST-MODIFIED:20221125T223903Z UID:10000660-1673204400-1673211600@cstpdx.com SUMMARY:UHF DESCRIPTION:Please note: the January 8th screening will be shown with English language captions. If you would like to see the film without captions\, please attend the screening on Saturday\, Jan. 7. \n\n\n\n\nAfter losing yet another job\, George (Weird Al Yankovic) wonders if there is any career that can handle his outrageous personality. When George’s uncle (Stanley Brock) hands him the deed to a local TV station\, George creates a series of television shows based on social satire and hyperactive humor\, with the help of his best friend\, Bob (David Bowe). However\, a rival station’s bitter CEO (Kevin McCarthy) tries to destroy George’s wacky programming\, forcing him to fight back. \n\n\n\n \n Director: Jay Levey\n Year: 1989\n Country: USA\n Runtime: 97 minutes URL:https://cstpdx.com/event/uhf-2/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/uhf.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230108T133000 DTEND;TZID=America/Los_Angeles:20230108T153000 DTSTAMP:20260525T194843 CREATED:20221201T052329Z LAST-MODIFIED:20221208T175425Z UID:10000704-1673184600-1673191800@cstpdx.com SUMMARY:The Unlikely Story of the Lesbians of First Friday DESCRIPTION:Film will be followed by a Q&A with Producer Kathryn L Beranich and special guests \n\n\n\n\nIn the early 1980’s a disparate group of lesbians living in the Bible Belt of Southwestern Virginia somehow found each other and birthed a vibrant community called First Friday. In an era when homosexuals were reviled\, the women of First Friday created safe and fun-filled space that framed the social lives of rural and displaced urban lesbians. Their antics were legendary and their events were not to be missed. \n\n\n\nTHE UNLIKELY STORY OF THE LESBIANS OF FIRST FRIDAY is a nugget of lesbian history mined from the peaks and valleys of the Blue Ridge Mountains and told through the voices and anecdotes of women who were there. URL:https://cstpdx.com/event/the-unlikely-story-of-the-lesbians-of-first-friday/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/unlikely-lesbians.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230107T190000 DTEND;TZID=America/Los_Angeles:20230107T210000 DTSTAMP:20260525T194843 CREATED:20221108T040759Z LAST-MODIFIED:20221108T040802Z UID:10000659-1673118000-1673125200@cstpdx.com SUMMARY:UHF DESCRIPTION:After losing yet another job\, George (Weird Al Yankovic) wonders if there is any career that can handle his outrageous personality. When George’s uncle (Stanley Brock) hands him the deed to a local TV station\, George creates a series of television shows based on social satire and hyperactive humor\, with the help of his best friend\, Bob (David Bowe). However\, a rival station’s bitter CEO (Kevin McCarthy) tries to destroy George’s wacky programming\, forcing him to fight back. \n\n\n\n \n Director: Jay Levey\n Year: 1989\n Country: USA\n Runtime: 97 minutes URL:https://cstpdx.com/event/uhf/2023-01-07/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/uhf.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230107T150000 DTEND;TZID=America/Los_Angeles:20230107T170000 DTSTAMP:20260525T194843 CREATED:20221213T041656Z LAST-MODIFIED:20230104T053035Z UID:10000719-1673103600-1673110800@cstpdx.com SUMMARY:Cat Daddies DESCRIPTION:A heartwarming and tender portrait of a diverse group of men whose lives have been forever changed by their love of cats\, CAT DADDIES takes us on an inspiring journey all across the United States during the challenging early days of the COVID-19 pandemic when people desperately needed hope and companionship. URL:https://cstpdx.com/event/cat-daddies-3/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/10/cat-daddies.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20221231T190000 DTEND;TZID=America/Los_Angeles:20221231T210000 DTSTAMP:20260525T194843 CREATED:20221201T051214Z LAST-MODIFIED:20221213T031553Z UID:10000703-1672513200-1672520400@cstpdx.com SUMMARY:Samurai Cop DESCRIPTION:Prepare to question everything you thought you knew about roundhouse kicks\, thongs\, and katana beheadings. Joe (Matt Hannon\, Sylvester Stallone’s one-time bodyguard) is the Samurai Cop\, a rock of a man who will do literally whatever it takes to punish criminals—even if that means taking dozens of innocent lives in the process. \n\n\n\nTeamed with a truly hilarious partner (Mark Frazer)\, Joe embarks on a mindmelting sex-and-violence-fueled adventure against evil ninjas\, drug dealers\, and genre legend Robert Z’Dar! \n\n\n\nDirected by prolific Iranian ex-pat Amir Shervan\, the reckless and outrageous SAMURAI COP is a true treasure of the trash-action pantheon. \n\n\n\nFree screening! End your year with a bang! \n\n\n\n \n Director: Amir Shervan\n Year: 1991\n Country: USA\n Runtime: 96 minutes URL:https://cstpdx.com/event/samurai-cop/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/samauri-cop.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20221231T150000 DTEND;TZID=America/Los_Angeles:20221231T170000 DTSTAMP:20260525T194843 CREATED:20221118T012451Z LAST-MODIFIED:20221118T012454Z UID:10000700-1672498800-1672506000@cstpdx.com SUMMARY:Coup 53 DESCRIPTION:While making a documentary about the Anglo-American coup in Iran in 1953\, Iranian director Taghi Amirani and editor Walter Murch (Apocalypse Now\, The Conversation\, The English Patient) discover extraordinary never seen before archive material hidden for decades. \n\n\n\nThe 16mm footage and documents not only allow the filmmakers to tell the story of the overthrow of the Iranian government in unprecedented detail\, but also lead to explosive revelations about dark secrets buried for 67 years. \n\n\n\nWorking with Ralph Fiennes (The Grand Budapest Hotel\, Schindler’s List\, The English Patient) to help bring the lost material to life\, what begins as a historical documentary about four days in August 1953 turns into a live investigation\, taking the filmmakers into uncharted cinematic waters. The roots of Iran’s volatile relationship with Britain and America have never been so forensically and dramatically exposed. \n\n\n\nCOUP 53 is a politically explosive and cinematically innovative documentary that grips like a thriller. \n\n\n\n \n Director: Taghi Amirani\n Year: 2019\n Country: United Kingdom\n Runtime: 118 minutes URL:https://cstpdx.com/event/coup-53/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/coup-53.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20221229T190000 DTEND;TZID=America/Los_Angeles:20221229T210000 DTSTAMP:20260525T194843 CREATED:20221109T023625Z LAST-MODIFIED:20221109T023628Z UID:10000678-1672340400-1672347600@cstpdx.com SUMMARY:Slap Shot DESCRIPTION:In the small New England town of Charlestown\, the local mill is about to lay off 10\,000 workers. The town’s minor league hockey team\, the Charlestown Chiefs\, is doing no better. After years of failure\, this will be the team’s last season. Exasperated player and coach Reggie Dunlop (Paul Newman) lets the club’s recent acquisitions\, the Hanson Brothers\, play. The brothers’ actively violent and thuggish style of play excites the fans. Dunlop retools the team\, using violence to draw big crowds. \n\n\n\n \n Director: George Roy Hill\n Year: 1977\n Country: USA\n Runtime: 122 minutes URL:https://cstpdx.com/event/slap-shot/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/11/slap-shot.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20221228T200000 DTEND;TZID=America/Los_Angeles:20221228T220000 DTSTAMP:20260525T194843 CREATED:20221202T235949Z LAST-MODIFIED:20221202T235950Z UID:10000708-1672257600-1672264800@cstpdx.com SUMMARY:Church of Film: Carnival Night DESCRIPTION:The youthful members of a Soviet House of Culture are preparing a magical New Years Eve party\, with a masquerade and a variety show full of song\, dance\, and performance. However\, their director dies and is replaced at the last minute by the glowering apparatchik Comrade Ogurtsov… and he doesn’t like any of it. But the show must go on\, and the kids resolve to run the party as planned—with or without Ogurtsov’s approval. \n\n\n\nCARNIVAL NIGHT is a warm\, jazzy spectacle and comedy that ushered in the post-Stalin period by taking satirical stabs at grey-faced\, finger wagging Party functionaries\, and giving a generous bow to the new generation. URL:https://cstpdx.com/event/church-of-film-carnival-night/ CATEGORIES:film ATTACH;FMTTYPE=image/webp:https://cstpdx.com/wp-content/uploads/2022/12/cn.webp END:VEVENT END:VCALENDAR