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SUMMARY:Dead Mom Card
DESCRIPTION:Death is a way of life at Houlihan’s Funeral Home until a change in ownership uncovers links between privilege and entitlement in its buried legacy. \n\n\n\nThree funeral home employees—a white woman\, a Black man\, and a bi-racial gay man—must sort out who is in charge\, and why\, when the sudden death of the owner throws their lives in disarray. Their power struggles encompass misogyny\, racism\, and implicit bias. Along the way\, they encounter the profane\, the ridiculous\, and many forms of grieving. \n\n\n\nThis locally produced feature has Portland talent in front of and behind the camera. Settings in St. Johns\, North\, and Northeast Portland feature prominently. The soundtrack is a mix of folk/pop\, EDM\, traditional Irish tunes\, and hip hop originals by Q.Z. Tha Leader and Mic Capes. \n\n\n\nWritten\, directed & produced by Steve Perkins.
URL:https://cstpdx.com/event/dead-mom-card/
CATEGORIES:local
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SUMMARY:Anti-Capitalism At Work: A Discussion Series at the Clinton St. Theater
DESCRIPTION:Buy an all-sessions pass for $185. Scholarships are available\, no questions asked\, email marina@newcoyote.com for more information. \n\n\n\n\n\nFacilitated by Marina Martinez-Bateman\, People-First Management Expert\, CEO\, New Coyote Consulting \n\n\n\nToxic Productivity – Sunday\, September 25\, 2022 – 4:30 to 5:30 PMConsent at Work  – Sunday\, November 20\, 2022 – 4:30 to 5:30 PMUnrealistic Work Goals – Sunday\, January 8\, 2023 – 4:30 to 5:30 PMWhat’s Real Self Care? – Sunday\, March 19\, 2023 – 4:30 to 5:30 PMWorker Solidarity – Sunday\, May 7\, 2023 – 4:30 to 5:30 PMFinding a Good Job – Sunday July 23\, 4:30 to 5:30 PM\n\n\n\n\nEveryone is talking about meaningful work. We’re tired of being exploited by capitalist systems that don’t have our best interests at heart. Whether it’s the nonprofit industrial complex\, the corporate grind\, or being under-staffed to death in start-ups and state agencies\, we’re all ready for something else.  \n\n\n\nBut what is that something else? This discussion series is meant to bring working people together to discuss what we have the power to change in our day-to-day lives\, and how those changes should be made.  \n\n\n\nTickets are $35 each\, or buy an all-session pass for $185. Scholarships are available\, no questions asked\, email marina@newcoyote.com for more information. \n\n\n\nFull session list available here. \n\n\n\n\nAbout Marina: Marina Martinez-Bateman (they/them) is a serial entrepreneur and a grassroots communicator with more than 20 years’ experience motivating people to take action on behalf of political\, cultural\, and commercial interests. They are an expert in person-centered management and anti-capitalist business administration.
URL:https://cstpdx.com/event/anti-capitalism-at-work-a-discussion-series-at-the-clinton-st-theater-2023-03-19/
CATEGORIES:discussion
ATTACH;FMTTYPE=image/jpeg:https://cstpdx.com/wp-content/uploads/2022/09/2022_IG_Grid_ACAW_Schedule.jpg
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SUMMARY:Smithereens
DESCRIPTION:Broke\, punk\, and ambitious! The low-budget breakout film by Susan Seidelman\, Smithereens is a snapshot of the dying East Village NYC punk scene in 1982 that takes you along like a down-and-out Nights of Cabiria. \n\n\n\nJoin New Jersey native Wren on her ham-fisted quest to become cool and influence people without actually trying. Shot (without permits) on the gorgeously dilapidated streets of early 80’s New York\, a time when being semi-washed up looked incredibly cool and broke artists (and poseurs) could live easy-sleazy in cheap flop apartments and still have cigarette money. \n\n\n\nRichard Hell plays Eric\, the one-hit-wonder punk dream boy that empirically sucks but is also irresistible for our young up-and-comer in comparison to recent city transplant and cornfed Midwest Paul.   \n\n\n\nSusan Berman gives an effectively endearing AND annoying performance; you still root for her success even though she’s deeply narcissistic\, a bit of a dummy\, and overall kind of a dick. \n\n\n\nSmithereens is an incredible example of guerilla filmmaking\, and one of the rare occasions in this decade where you get to see a story unfold through a hungry female lens. \n\n\n\nOne of the first American independent films to be selected to show in the main competition at Cannes. \n\n\n\n    \n        Director: Susan Seidelman\n        Year: 1982\n        Country: USA\n        Runtime: 89 minutes
URL:https://cstpdx.com/event/smithereens/
CATEGORIES:punk
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