Today at The Clinton: Tuesday, Jan 18

REEL Feminism

intersectional feminism

 

Please join us for REEL Feminism, a screening focused on intersectional feminist issues and highlighting films by women-identified directors.

From Alia E. Dastagir , USA TODAY:

"Intersectional feminism" is much more than the latest feminist buzzword. It is a decades-old term many feminists use to explain how the feminist movement can be more diverse and inclusive.

If feminism is advocating for women's rights and equality between the sexes, intersectional feminism is the understanding of how women's overlapping identities — including race, class, ethnicity, religion and sexual orientation — impact the way they experience oppression and discrimination.

 

Showtimes

Monday, Jan 24
7:00pm
barbara loden wanda

Wanda refuses to embody any of the female images she comes across in the film...You see, just because she can't articulate her desires, doesn't mean she doesn't yearn for something more.

John Powers, NPR

 

Wanda is a small masterpiece of verite-style naturalism, both in sympathy with its heroine and ruthlessly unsentimental about her plight.

Dennis Harvey, 48 Hills

 

"Realism" doesn't entirely do justice to the world Wanda inhabits, which, for all the grit and grunge of its bars and diners and factory floors, is also a world of startling everyday beauty.

Justin Chang, Los Angeles Times

Media: 
wanda poster
WANDA
Director: 
Barbara Loden
Country: 
USA
Year: 
1970
Runtime: 
102 minutes

With her first and only feature film—a hard-luck drama she wrote, directed, and starred in—Barbara Loden turned in a groundbreaking work of American independent cinema, bringing to life a kind of character seldom seen on-screen.

Set amid a soot-choked Pennsylvania landscape, and shot in an intensely intimate vérité style, the film takes up with distant and soft-spoken Wanda (Loden), who has left her husband, lost custody of her children, and now finds herself alone, drifting between dingy bars and motels, and callously mistreated by a series of men—including a bank robber who ropes her into his next criminal scheme.

A rarely seen masterpiece that has nonetheless exerted an outsize influence on generations of artists and filmmakers, Wanda is a compassionate and wrenching portrait of a woman stranded on society’s margins.

Special Admission

$5-8 suggested; no one turned away for lack of funds.

$6 ADVANCE TICKETS AVAILABLE.

Showtimes

Monday, Jan 31
7:00pm
La-Cienaga

La Ciénaga does what cinema at its best can do: It reveals a universe we've never even imagined and then gets us to look differently at both the society and medium we'd underestimated.

B. Ruby Rich, The Nation

 

The air of stultifying decadence is captured to a T by Martel. It's a reminder that as well as being a brilliant technician and visual artist, she is an exemplary writer too.

PJ Nabarro, Patrick Nabarro

 

An early image of a suntanned chest impaled by the shards of a broken wine glass becomes an emblem of Martel's ability to draw blood from her subject matter.

Adam Nayman, The Ringer

Media: 
La Cienaga movie poster
LA CIENAGA
Director: 
Lucrecia Martel
Country: 
Argentina
Year: 
2001
Runtime: 
103 minutes

The release of Lucrecia Martel’s La Ciénaga heralded the arrival of an astonishingly vital and original voice in Argentine cinema. With a radical and disturbing take on narrative, beautiful cinematography, and a highly sophisticated use of on- and offscreen sound, Martel turns her tale of a dissolute bourgeois extended family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel.

This visceral take on class, nature, sexuality, and the ways that political turmoil and social stagnation can manifest in human relationships is a drama of extraordinary tactility, and one of the great contemporary film debuts.

Special Admission

$5-8 suggested; no one turned away for lack of funds.

$6 ADVANCE TICKETS AVAILABLE (includes a $1 service fee).